Believe it or not ...
...She said yes!
Reflections of melancholy and despair
I've said it before and I'll say it again ...sometimes gravity pisses me off.
What if getting bitten by a dog, stung by a bee, or feeling sad are some of your favorite things ...isn't remembering them simply repetitive?

The Departed
Starring: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, Alec Baldwin, Vera Farmiga
Directed by: Martin Scorsese
Year: 2006
I could go on and on (as is usually my way) to carry on about 'The Departed' ...best movie of the year, best movie that Martin Scorsese has ever directed (or at least right up there), Leonardo DiCaprio (who I'm not the biggest fan of) is a legitimate contender for Best Actor for the year, and on and on. It really comes down to three words ...
Simply f**king brilliant!
Hollywoodland
The cast performances are quite good. This is, without a doubt, the best thing that Ben Affleck (portraying George Reeves) has ever done. Now, I realize that ('Dogma' aside) this isn't saying much, but even throwing out the past body of Mr. Affleck's work, it really is a very strong performance. He conveys the proper level of resignation, hopelessness, and apathy from being stuck in the circumstances that Reeves is stuck in (i.e., being a kept man and typecast due to having portrayed the 'Man of Steel'). His performance is really surprisingly good. Who would have thought (in light of such past gems as the animal cracker scene in 'Armageddon' and basically the entirety of 'Pearl Harbor' ….shudder) that he had it in him.
The Illusionist
Starring: Edward Norton, Paul Giamatti, Jessica Biel
Directed by: Neal Burger
Year: 2006

A subtle and low-key (although never slow-moving) little movie that plays out like a chess game unfolding on the screen and is equal parts character study, mystery, and romance. It reflects a certain type of Kafka and Caleb Carr (author of the novel 'The Alienist') feel to it (at least as far as the tone of the film) and, although there's still a ways to go, at this point I'd call it one of the better (if not one of the best) movies of the year.
I was engaged throughout the entire film and, while the direction that the story takes really doesn't prove to be that surprising a twist even though it's set up that way (it's pretty obvious what's going on as soon as it begins), what does keep you engaged is being sucked into how things will play out and the performances of all of the characters in getting there.
Although the degree to which I enjoy his work is primarily dependent upon the character he's playing (and there have been some movies that he's been in that I just haven't been that keen on, and as such haven't been blown away by his corresponding performance), Edward Norton can justifiably stake a claim to being one of the most talented actors of his generation, and his role here (as the title character, a stage magician in turn-of-the-century Vienna) helps to support that claim. It could be the kind of part that an actor might play over-the-top with, but Norton keeps it very low-key and mysterious, which suits the atmosphere perfectly.
As good as Norton was, for me the movie was Paul Giamatti's. I'm of the opinion that you should just hand him the Oscar for Best Supporting Actor now (although I imagine his performance will be completely overlooked when the nominations come out …that's just what happens …stupid Academy). Giamatti portrays the Chief Inspector of the local constabulary …a rather staid and small man (who nonetheless has at his center a basic decentness and a certain wry outlook on things) and Giamatti’s acting is a wonder to behold. As the movie progresses you can almost see the gears turning inside the character's head as he slowly acknowledges and accepts his role (and responsibility) in the events that are playing out. Just look at his face in the last scene, where the character unravels in his mind just what has occurred …it was quite impressive. What with his performances here, in 'Sideways', and in 'American Splendor', I find it somewhat remarkable that his was (in my opinion) one of the more annoying parts of the rather annoying Tim Burton film, 'Planet of the Monkey-Boys' …Oh well …everyone is entitled to a few missteps …he's more than made up for it since then.
The look and style of the film is perfect, as is the Phillip Glass score (which balances being a complimentary part of the background with being a very attention-drawing part of the movie).
So, the big selling points for me were:
All in all a very fine little film that, although it won't be because of its scale, low-key marketing campaign, and summer release date, should be remembered at award time. While I'm quite happy that I caught 'The Illusionist' in the Cineplex, it should translate quite well to the home theatre (as I wouldn't categorize it as a 'big' or 'event' type film), so if you don't catch it in the theatre (and I rather doubt that many have or will), give it a look at home. It's definitely on my 'A-List' for when it comes out on DVD.
Alright …so here's the thing (and stick with me, I’m going somewhere with this) …the name of my blog pretty well captures (in varying shades of gray) my perspective, my demeanor, my charm, my …shall we say, Je-ne-sais-quoi …In other words, my outlook on things in general is usually rather bleak. Melancholy and despair have been my companions for quite some time now, so much so that for awhile there I needed to take some time off from blog posting as things were coming across as being even bleaker than usual (and brother …that’s gotta be pretty bleak).
I'm also not one who has the desire or the comfort level in proclaiming my feelings from the rooftops. Having taken multiple personality / leadership / working-social style tests (Myers-Briggs and others too numerous to mention) over the years in conjunction with whatever managerial position I held at the time, it's safe to say that the phrase that typically captures my usual outlook is "Emotions Bad". To illustrate my grinch-like view of things, in a previous post from a number of months ago (on the former site where my blog resided), I shared my somewhat cynical (make that cranky) perspective re/certain fairy tale-esque cliches, including "there's someone out there for everyone".
The purpose of the previous paragraphs that illustrate my somewhat less than bright and cheery way is to help set the foundation for …well …it appears that a retraction to that last "there's someone out there for everyone – yeah right" sentiment just may be in order, as yes …(at least for this everyone) there was (and is) indeed someone out there. And, miracles of miracles, she feels the same way about me. So with that being the case, I’m throwing caution to the wind and posting my thoughts (or more to the point), posting my thoughts regarding my (shudder) feelings.
Now, I'm not saying that I've exchanged my bifocals for rose-colored glasses and suddenly transformed into equal parts Mr. Rogers and Pollyanna. But if ever in my life the word 'giddy' could be used to describe where I'm at, now's the time. Now, I could go on and on citing the wherefores and whys of this rather unexpected state of being, but it comes down to three simple words (which, when you think about it, really aren't so simple) …I'm in love.
Now before you start rolling your eyes, I'm not going to go into a litany of poetic sonnets that talk about hearts and flowers and springtime and singing and hey-hey-hey since (with the exception of entertaining haiku or jaunty limericks), poetry really doesn't fall under my list of marketable skills. I simply felt the overwhelming urge to put this fact out there for the world (or at least the portion of the world that my little corner of the Internet resides in) to see. And besides, in the rather apropos words of Stimpson J. Cat, "Hey …this is private".
No …no feeble attempt at romantic musings …instead, I’m simply going to let ‘The Carpenters’ do my talking for me (hey …Hey! …quit that snickering) …Just because grim and moody are two words I’d typically use to describe my mindset doesn’t mean that I don’t like The Carpenters …they were a fine group and just because my tastes typically run more towards a ‘Tom Waits’ style of looking at things (and man …talk about bleak …his is a bleakness I can only aspire to achieve) doesn’t mean I don’t appreciate the occasional melodic strain from Karen and Richard …so anyway …Cathy, this is for you.
We've tried our hand at love before.
We've been around the game enough
to know the score.
But then is then, and now is now …
And now is all that matters anyhow.
Make believe it's your first time
leave your sadness behind …
Make believe it's your first time
And I'll make believe it's mine.
The door is closed
It's you and me.
We'll take our time with love
the way it ought to be.
This moment's ours
tonight's the night …
And if we fall in love,
Well, that's all right.
Make believe it's your first time
leave your sadness behind …
Make believe it's your first time
And I'll make believe it's mine.
Make believe it's your first time
And I'll make believe it's mine.
Alrighty then ...so it's been about a year since my last movie review post. So what did it take to get me back into the fray? C'mon ...you know ...

Dear Diary,
Tuesday, 07/25
Monday, 07/24
Sunday, 07/23

ill have 30+ hours on the road to look forward to (look forward to?) …oh well, Huzzah!Saturday, 07/22
e had in many a moon …oh well) prompts us to decide to head to the air-conditioned comfort of a restaurant that our hosts are familiar with. It's rather unique in that it changes the theme of the décor/menu on a monthly basis.